Steps to produce a successful commercial.

Steps to produce a successful commercial.

If you are looking for an expert for your next commercial shoot, just contract us. This year we have already filmed for many brands like EA Sports, Gore sportswear, Audi, Samsung… Our fixers and coordinators will help you with your project. We search for the best locations, find the right characters or models, obtain filming permits, get the equipment you desire and fix the rest with Gaffer tape 🙂 If you are looking for support or a complete service, please let us know. We advise, suggest and take into account your budget...
Why choose BonitaWorld Media Productions?

Why choose BonitaWorld Media Productions?

There are many reasons we can give you to choose us as your suppliers of audio-visual equipment, the most important of all is that we are a serious company, formed by a team that is passionate about the work that is done, and that is fundamental, since that all the projects in which we embark are equally important and we put the same desire. For us it is very important to maintain our equipment, because despite being professional material and designed for intensive use, it is normal to end up having an inevitable wear and tear, so we are very careful to perform preventive maintenance and corrective of audiovisual equipment on a regular basis and thus avoid unforeseen accidents to our customers and ourselves. At Bonitaworld we attach great importance to the maintenance of audiovisual equipment so that its operation continues to be efficient and continue to show audiovisual content as the first day. We enjoy our team and we want to share it with you! Do you need a team of professionals and experts in audiovisual production? Let’s...

BONITAWORLD MEDIA PRODUCTION – AUDIOVISUAL EQUIPMENT RENTAL

We enjoy our equipment and we want to share it with you! Cameras, Grip, Lighting, Sound … At Bonita World Production, we have all the equipment you need to make your event. In our production company we have worked for years in the audiovisual industry And we know that the client would like to rent a team in which he can trust the good development of his event. For this reason we only rent high quality material, reliable, guaranteed and that responds optimally in any situation. Among the leading brands we work with are SONY, CANON, PANASONIC … .. Rent your team with BONITA WORLD MEDIA PRODUCTIONS, please tell us your needs, if we do not have it, we will get it for you...

New Canon EF review

The new Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is being marketed as the ideal ‘all-in-one’ lens for uses of the EOS M system. You can buy it as part of the kit with the newly launched EOS M5 compact system camera. It offers an equivalent focal length of 29-240mm (remembering that the APS-C format of EOS M camera is a 1.6x crop). The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is constructed of 17 elements in 13 groups, and there are 7 diaphragm blades. An image stabiliser offers 4 stops of compensation, and the lens uses an STM AF motor. The closest focusing distance is 0.25m at 18-50mm, or 0.45m at 150mm. The maximum magnification of 0.31 is available at 150mm. If you want to buy the Canon EF-M 18-150mm f/3.5-6.3 IS STM lens separately from the EOS M5 camera, you can purchase it for around £429 / $499. The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is available in two colours, black, and the silver version we were supplied with. Only the outer of the lens is silver, if you twist it to zoom the lens, you’ll see that the inside is black. There are two rings around the lens, the large ring in the middle of the lens allows you to zoom the lens in and out. This portion of the lens is textured so you can easily find it. Zooming in and out is quick and fluid – but it’s slow enough to feel measured, and like you’re not going to accidentally move the lens too far one way or the other when you don’t want to....

Steadicam Aero and Glidecam Centurion: two different approaches to small camera stabilisation

The market for camera stabilisation has exploded recently and if you’re after a handheld brushless gimbal you’re spoiled for choice. In the middle of the market options include the Freefly Movi M5, Letus Helix Jnr and the DJI Ronin-M. Cheaper options are also plentiful from the likes of Came TV, Moza, Zhiyun, Pilotfly, Varavon and countless more. The two most established mechanical stabiliser brands haven’t rushed to bring competing products out, but now we’re starting to see both Glidecam and Steadicam react to the brushless gimbal phenomenon with quite different strategies. Glidecam are getting into the brushless gimbal game with their new Centurion 3-axis stabiliser. Their mechanical sleds and arms are well established as solid options for camera stabilisation (although as with all the sled-style stabilisers it can take a bit of trial and error to balance your rig properly). The Centurion is their first powered three-axis gimbal then and it ticks a lot of boxes: encoded motors and 32-bit processor for smooth motion; single and double handed operation; and a payload of up to 5 lbs (2.2 kgs). There’s an integrated joystick to control the gimbal’s motion and the unit is manufactured in the USA. Without having had a hands-on test of the Centurion it’s difficult to draw any firm conclusions – but with a list price of $1,799 US it enters a market that is already fairly mature. The competing DJI Ronin-M can be had for less at around $1,400 US on the street. This might not be a huge issue if it turns out to be a lot better than the competition – but as it’s...

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