by gerard | Jun 28, 2017 | Digital Media, Sin categoría
The great social network Facebook is aimed at the fashion of producing series on television, the goal is to create a grid of quality television programs that take viewers to the video tab of the platform. Ricky Van Veen and Mina Lefevre, the executives hired to perform this task, have concentrated their efforts on short and long formats that can reach a broad spectrum of the population as well as audience niches defined by their common interests or cultural tastes. With a focus on audiences in the 17-30 age group, Facebook has already lined up a relationship drama called “Strangers” and a game called “Last State Standing,” according to the report. The network is looking for dating programs, talk shows and other series to boost its video channel and find new ways to offer advertising. In addition, it has closed deals with video producers such as BuzzFeed and Vox Media to create other types of shorter programs. Amazon and Netflix have been producing original content for years and Youtube recently started investing in projects for its YouTube Red payment service. Apple also launched its first television series, Planet of the Apps, in June and even Twitter is buying programs like the aftershow Game of thrones, a space that until now was emitted in HBO. http://bit.ly/2tnDpEK...
by gerard | Jun 6, 2017 | audiovisual service provider, Equipment rental camera
We enjoy our equipment and we want to share it with you! Cameras, Grip, Lighting, Sound … At Bonita World Production, we have all the equipment you need to make your event. In our production company we have worked for years in the audiovisual industry And we know that the client would like to rent a team in which he can trust the good development of his event. For this reason we only rent high quality material, reliable, guaranteed and that responds optimally in any situation. Among the leading brands we work with are SONY, CANON, PANASONIC … .. Rent your team with BONITA WORLD MEDIA PRODUCTIONS, please tell us your needs, if we do not have it, we will get it for you...
by gerard | May 25, 2017 | production, Sin categoría
If you are looking for quality in your productions you will discover the new Cineo HSX two-color luminaire, high power and precision, controllable by DMX or WiFi This compact luminaire reaches 25,000 lumens and thanks to the technology of Color Tunable based on phosphorus remote offers an exact reproduction of the colors and skin tones. The new HSX from Cineo with a maximum consumption of 400 watts and reaching up to 25,000 lumens. It has an opening angle of 150 degrees, is an ideal source for study and also for other locations, due to its size and portability. Bicolor, with temperatures between 2700K and 6000K (modulable by presets or potentiometer), this light source can be controlled locally, via DMX (XLR) or Wifi with Lumen Radio. They are functionalities that provide the user with total control over the equipment, which becomes a very versatile and adaptable tool for every need. It is a luminaire with impressive light quality, thanks to the Manufacturer’s Color Tunable technology based on the remote phosphor, which reverberates at high levels of CRI and TLCI and an exact representation of the colors and tones of the skin. Equipment that uses this technology hardly shows significant changes in color reproduction after 50,000 hours of use. Undoubtedly, a very option to take into account if you are looking for quality in your audiovisual...
by gerard | May 18, 2017 | audiovisual service provider, commercial movie, Digital Media, documentary, Equipment rental camera, post production, pre production, production, sport film, tv broadcast, video editing
Your audiovisual production partner in Spain. Crews all over Spain, including islands: Ibiza, Mallorca, Formentera, Canary Island
by gerard | Apr 5, 2017 | production, Sin categoría
The technological advances are incredible and go at a very fast pace. The last one was from NASA, which has created a talking camera that was sent to space. She is the protagonist of a tour of the outer space of the International Space Station, and its mission is to retransmit as it finds the astronauts, how they feel, presents us, communicate what they do; In addition to tell the viewer some curiosities or asking it to look at certain details. We left a recording that was made in a spacewalk of the astronauts Thomas Pesquet and Shane Kimbrough that took place the past 13 of January and lasted six hours. The video, now published by the US space agency, sums it up in three minutes.and have made it the protagonist of a space mission. https://www.youtube.com/watch?v=1mRJJYc3_-c...
by gerard | Apr 1, 2017 | Digital Media
Mobile’s dominance in the digital economy is often taken for granted, but it is the prime driver for the amount of time people spend in digital media. A recent report on the state of digital audiences by cross-platform measurement company comScore said that the average American spends almost three hours every day on mobile. According to comScore’s 2017 U.S. Cross-Platform Future in Focus report, total digital media usage has increased by 40% in the last three years, with total monthly mobile usage time hitting the one trillion minute mark back in March 2016. Mobile now accounts for seven out of 10 minutes spent in digital media, the report said. Mobile apps alone drive 60% of all digital time spent, with smartphone apps the main driver of digital media consumption. Around 51% of all digital media time is spent on a smartphone app, a increase of 16% since 2013. Mobile has been gobbling up market share since 2013. In essence, this is related to a decline in the amount of time spent on desktop. Three years ago, desktop commanded a 47% share of digital media time—that has now dropped to 31%. One in eight U.S. Internet users are now not just mobile first but mobile only, a demographic that is reportedly influenced by women aged between 18- and 24-years-old. “The mobile-only Internet user is an emerging group within the digital media ecosystem,” said comScore. “Millennials are more likely to rely exclusively on their mobile devices, with the heaviest skews occurring among college-aged adults and females.” Digital media audiences have increased significantly in the last three years, with the top 1,000 properties averaging 16.8 million viewers...
by gerard | Mar 19, 2017 | sport film
In the closing minutes of “Dangal” (“Wrestling Bout”), the protagonist, a doughty 22 year-old female wrestler from rural India, triumphs in the 2010 Commonwealth Games. As she accepts the gold medal on the podium and the national anthem is played, film audiences across India have stood up from their seats in standing ovations. Estimates place the domestic box-office takings at around $60m; the biopic has smashed all box office records to become the highest-grossing movie in the history of Bollywood. Most of the country’s prominent athletes have been immortalised in film. M.S. Dhoni’s “Untold Story” was told last year. Mary Kom, the country’s first female boxer to win a medal, was played by Priyanka Chopra in 2014. In 2012, “Paan Singh Tomar” traced the story of a steeple-chase champion turned bandit. A recurring theme in these films is the state governments’ lack of money for sport due to squeezed budgets or graft; when athletes prevail, they do so thanks to their own unyielding resolve. In “Dangal”, the protagonist and her sister are trained on mattresses and in mud-pits rather than synthetic mats and wrestling arenas. It reflects the lack of national sporting infrastructure. In the 1948 Olympics, India’s football team played barefoot. Deepa Karmakar, a gymnast, honed her craft on rudimentary equipment that included locally-made parallel bars that were uneven and the wrong size. It makes it all the more impressive that she finished fourth at last year’s Olympic games in Rio de Janeiro. These films often distract audiences from recent underwhelming performances by hearkening back to a more successful period. Field hockey, once considered India’s national sport, is...
by gerard | Mar 13, 2017 | tv broadcast
The US internet TV group has invested $1.8bn into licensed, original and co-productions in Europe since 2012, and will continue to spend more on new shows this year. These will include two productions with the BBC; Troy: Fall of a City and Black Earth Rising, and a third new series, The Spy, which will be co-produced and released on French cable network Canal Plus. The company is also pushing ahead with plans to bring Netflix to TV set top boxes with operators in Europe. “We have integrated Netflix with operators like Orange, Vodafone, Liberty Global and BT, signed a deal with Telenor to bring Netflix to their box. Today, we are bringing Netflix in Germany to Unitymedia subscribers,” said chief executive Reed Hastings in Berlin. Netflix’s announcement comes on the back of EU pressure on on-demand services to invest more in local content and productions. Last year the EU revealed plans that could force internet TV providers, including Netflix and Amazon, to devote “at least” 20 per cent of their catalogues to European films and TV shows, as part of an overhaul of broadcasting rules. The negotiations are continuing, with MEPs trying to push the minimum to 30 per cent, according to people close to the discussions. The law would also require promotion of European content on web services’ homepages. Salminen explained that though its U.S. catalog may be shrinking, that’s not the company’s strategy elsewhere. In April 2016, his site reported some interesting numbers. For instance, Netflix’s Canadian library had grown from 3,021 television and film titles to 3,365 since January 2014. The numbers in Great Britain were somewhat similar with an...
by gerard | Mar 11, 2017 | Digital Media
Today’s content consumers make up some of the most powerful audiences that most brands have ever seen. Whether or not your audience members know it, they dictate what kind of content your company creates, where you publish it, and how you distribute it. This probably makes a lot of sense to you in today’s marketing and content landscape. Of course audiences are powerful — technology has empowered audiences to take control of conversations and the messaging that’s directed at them. They have the power to research, advocate, share ideas, hold leaders and brands accountable, and much more, and that involvement has changed how companies connect with audiences. As the leader of a content marketing agency and the father of two young girls, I see these changes most clearly in two major areas: the world of TV and entertainment and the world of digital media. Traditional TV viewing is still strong but technology is changing things. The success of platforms like Netflix, Hulu, Sling, and the upcoming YouTube TV service has shown that traditional cable isn’t the only way audiences consume TV content — and that changes how that content is...
by gerard | Mar 7, 2017 | video editing
Apple’s new Pro Apps Bundle for Education, which launched in the United States last week, is now available for purchase in several other countries, including but not limited to Australia, Belgium, Canadá, China, France, Germany, Hong Kong, Ireland, Italy, Spain, Taiwan and United Kingdom. Other countries where the bundle is now available include Austria, Brazil. Denmark, Finland, Hungary, Japan, Malasya, Norway, Poland and Turkey. If we spot any others, we’ll add them to this list. The education bundle, available to qualifying students and faculty, includes permanent copies of Final Cut Pro X, Logic Pro X, Motion 5, Compressor 4, and MainStage 3 for a significant discount. Final Cut Pro X is Apple’s professional video editing software, while Logic Pro X is its professional audio workstation for advanced music production. Motion 5, Compressor 4, and MainStage 3 are companion tools for creating 3D animations and effects, customizing output settings, building set lists, and more. After purchasing the bundle, education customers will receive an email with codes to redeem the apps on the Mac App...
